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As reported in Junbungaku, the Japanese Literature Publishing Project is accepting shut down. They had just held their first translation competition, which now appears to also be their last. Well, I guess there is always Kurodahan Press.
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In “The Near Future of Employment in Japan” published in the March 2012 issue of Social Science Japan (Newsletter of University of Tokyo’s Institute of Social Science; no. 46), assistant of Labor Economics, Genda Yuji aims to provide a “blueprint” for an adjustment to Japan’s employment system that can effectively face future crises, taking into account lessons learned from the latest economic downturn. As far as blueprints go, this one is rather pale of adumbration and sparse of detail, but this may be due to the stage at which this “Project for the Creation of an Employment System that Enables Lifelong Growth for All People” initiative is currently.
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February 14, 2012 in Society, Uncategorized | Tags: bubble economy, contemporary, Culture, Essay, financial, japan, japanese, malaise, modern, photo, photojournalism, recession, Society | Leave a comment
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I ran across this image by the talented artist Gary Kelley, and could not help but recall Abe Kobo‘s 1951 short story, “The Magic Chalk” (魔法のチョーク). In this early Abe gem, a starving artist called Argon sells off best of his possessions for food and is left with a piece of chalk. The acceptation of the ‘starving artist’ figure is debatable, because in 1951 best people in Japan were starving–the artist here is the everyman in this regard. The acceptation of Argon is far added apparent: it is a noble gas (希ガス) that takes its name from the Greek for “lazy” (hence used commonly as an inert gas), and despite being a “rare gas” in Japanese, I understand it is the best common of the noble gasses. So there you go–Argon the Idle. Nevertheless, this artist possesses a book that brings pictures to life. Food, money, a bed, a beautiful landscape, a beautiful–but troublingly modern–woman. In this respect, Mr. Kelley and Mr. Abe assume to be…ahem…drawing on a agnate thought. But just as Abe’s story explores the eternal theme of art’s creative power–the ability to create a new world, it also highlights a ancillary need for a regenerative force to help Japan through the post-war period.
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I have recently read two commodity pertaining the Christian experience in 16-17 c. Japan. Both are from Nanzan University’s Japanese Journal of Religious Studies, 2007, 34/1. The first is Peter Nosco’s “The Experiences of Christians During the Underground Years and Thereafter” [85–97] and Tomoko Kitagawa’s “The Conversion of Hideyoshi’s Daughter Gō” [9–25] . Both of these should be accessible as PDFs in the links provided.
I don't know if the accompanying hand-motions are part of some international sign-language, but if they are not, perhaps they should be. Originally produced by ...
Nevertheless, Prof. Genda makes a number of informative observations. The major is what he calls a “market trend” of “quasi-regular employees” emerging to fill the gaps between the regular employees (I’m assuming he is thinking of 正社員) and the dispatch/freeter class. Critics have come down too harshly on the post-Lehman amplification of hiring of part-timers/contract workers in place of the college paid—and more difficult to fire—regular employees (temp. workers were laid off in waves during the “Lehman shock”). This is not an unproblematic trend, Genda concedes, but there are two problems with blanket criticism: first, it does not actually associate to high unemployment, and second, these critics lump all non-regular employees together, failing to apprehension the emergence of the “quasi-regular employees.”
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January 23, 2012 in Film reviews, Movies, Society | Tags: *, シネマ, cinema, cold fish, Culture, film, japan, japanese, movie, Review, shion, sion, Society, sono, 冷たい熱帯魚, 園子音, 映画 | Leave a comment
